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Venetian Beads
To place an order, call
us at (828) 884-5920 or email us at
orders@abetterbead.com with the words Place an Order
in the subject line of your message. In the text of the message
please include the following information:
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stock number (Listed in
blue
under the item just before the price.)
-
a description of the item(s)
you wish to purchase
-
quantity of item you want to
purchase
-
shipping address
-
the method you wish to use
for payment.
Please
DO
NOT
include credit card numbers in your e-mail.
Payment may be made in the
following ways:
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New Venetian Stock |
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Hollow Bubble Beads |
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All our bubble beads are
one-of-a-kind, hand blown beads.
Those pictured
below are all we have.
We have no duplicates. |
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5719-1 - $8 |
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5719-2 - $8 |

5719-3 - $8 |
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Yellow
Beads
Below
5719-4a - $8
each |
Yellow
Bead
Below
5719-4b - $8 |
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Yellow
Beads
Below
5719-5a - $8 |
Red
Bead
Above
5719-5a - $8 |
Red
Bead
Above
5719-5b - $8 |
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Red
Beads
to the
Left
5719-6 - $8 each |
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Orange Bead
Above
5719-7 - $8 each |
Caramel Bead
Above
5719-8 - $8 each |
Red Bead Above
5719-9 - $8 each |
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Mauve Bead to
the Right
5719-10 - $8
each |
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Large Bead in
this Picture
5719-11 - $12
Smaller Beads in
Picture
5719-12 - $8
each |
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Size Comparison
for Beads Below |
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5719-13 - $8 |
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5719-14 - $8 |
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5719-15 - $8 |
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5719-16 - $8 |
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5719-17 - $8
5719-18 - $8 |
5719-20 - $8
5719-21 - $8 |
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5719-19 - $8 |
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5719-22 - $8 |
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5719-23 - $8 |
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5719-24 - $8 |
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5719-25 - $8 |
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5719-26 - $8 |
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5719-27 - $8 |
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5719-28 - $8 |
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5719-29 - $8 |
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5719-30 - $8 |
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Pineapple w
Black
Stripes
Luigi10 - $10 |
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4467 - $10 |
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7043 - $10.50 |
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Above Left or
Right
1063 - $10
a
Large
Bead Immediate Left
Luigi12a - $12
Small Beads far
Left
Luigi12 - $8
each |
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7026a - $12 |
7026b - $12 |
7026c - $12 |
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Groups of Beads
All beads in a group are the same price
per single bead with the same number unless otherwise indicated.
Click on any
thumbnail to enlarge.
Top shot in
picture pairs below show relative size compared with neighboring
beads.
Bottom pictures
show details of beads or parts beads when whole beads are too large
to fit in frame.
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Bicones |
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Bicones |
Bicones
LC036 - $7.50 |
Bicone
LC095 - $11.50 |
16 X 22mm Bicones
TUS01 - $6 |
18 X 27mm Bicone
LC024 - $8.50 |
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Coins & Lentils |
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LC098 - $1.75 |
LFV024 - $20 |
10mm
V74 - $ |
LC074 - $4.50 |
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LC015 $9 |
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LC047 - $10.50 |
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Lentils
LC023-L - $9 |
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LC031 - $12 |
EGB026 - $9 |
EGB025 - $12 |
Lentils
20 to 23mm
LC015 - $9 |
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Lentils |
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Color
Coordinated Shapes and Sizes |
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14mm Round
EGB010 - $5
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Lentil
EGB024 - $6.50
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Green or Blue
12mm Rounds
EGB020 - $6.25 |
Green or Blue
Small Lentils
EGB024 - $6.50 |
Green or Blue
Large Lentils
EGB025 $12 |
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Corner
Drilled, Diamonds & Triangles |
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8mm Corner Drilled
LC002 - $5 |
16mm Corner Drilled
LC009 - $7 |
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DOI021 - $6.75 |
Triangle LFV010
- $6
Diamond LFV012
-$8 |
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Triangles and
Diamond
V16 - $7.75 |
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Diamonds
V67 - $5 |
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Cubes,
Rectangles & Squares |
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V38 - $4.75 |
DOI015 - $6.50 |
V13 - $5 |
5mm Rectangle Cubes
LC072 - $5 |
Rectangle Cubes
V05 - $6.50 |
12mm Flat Squares
LC034 - $5.50 |
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Flat Squares
V03 - $4.50 each |
LC005 - $3 |
8mm Flat Squares
LC003 - $5.50 |
16mm Flat Squares
LC055 - $6.50 each |
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16mm Flat Squares
LC055 - $6.50 each |
20mm squares -
LC001 - $10 ea |
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LC094-Sq - $10 |
LC065-Sq - $11 |
20mm Squares
LC004 - $10 ea |
Rectangle
DOI19 - $4 |
17 X 20mm
V61 - $9 |
18mm
LC079 - $7.75 |
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22 X13mm
Green Plain V21
- $6
Squiggle V62 -
$8 |
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28 X 37mm
LFV022 - $12.50 |
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4 X 32mm Rectangles
LC026 $12 each
or
2 for $22 |
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Hearts |
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10mm Hearts
EGB011 - $4 ea |
12mm Hearts
EGB012 - $5 ea |
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LC013 - $5 |
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7047 - $9 |
3638 - $8.75 |
5711 - $11 |
$10 |
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$22.50 |
$18.50 |
3890 - $18.50 |
Large Hearts
6998 - $24 |
Large Hearts
6999 - $24 |
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Small Heart Pairs
1073 - $9.50 |
13mm
4469a - $11 |
13mm
4469a - $11 |
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Loaves,
Olives
&
Flat Ovals |
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LC059 - $5.50 |
15mm Olives
V37 - $3 |
4478 - $10 |
25mm Olive
LC070 - $11 |
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DOI013 - $15 |
Olives
LC073-O - $7.50 |
16 X 35mm
Faceted Olive
7008 - $22 |
37mm Olive
4466 - $13.00 |
35mm Olive
7840 -$16 |
Olive
LC094 - $10 |
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40mm Loaf
LC073 - 47.50 |
45mm Loaf
4466 - $13 |
22mm Flat Oval
V06 - $7.50 |
V80 - $8 |
40mm Flat Oval
V7 - $12 |
26 X 37mm
LC071 - $22.50 |
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Logs &
Nuggets |
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LC061 - $2.50 |
Logs
LC061 - $2.50 |
V18 - $1.25 |
V24 - $3 |
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8 X 32mm Log
V65 - $10 |
LC057 - $8.50 |
LC54 - $6.50 |
Nugget
$11.25 |
Nuggets
LC073-N - $7.50 |
14mm Nugget or 14 X 27mm Bicone
LC017 - $8.50 |
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Miscellaneous
Shapes |
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18 X 30mm
LFV020
$10 each |
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7040 - $6.25 |
LC050 - $2 |
Twist |
32 X 62mm Leaf
LC083 - $12.50 |
30mm Mogen David
LC090 - $25 |
1095 Sm $7
LC090 Lg - $25 |
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Mixed Shapes
& Styles |
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V11 - $8.75 |
LV024 - $8.50 |
LC08 - $11 |
Swirls - LFV002
- $2
Blue - V01 0 $2 |
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JD003 - $6 |
18mm Lentils & Olives
JD006 - $7 each |
Round JD002 - $5
Coin and Twist
JD005 - $6.50 |
Round LV011 - $5
Lentil LC036 -
$7.50 |
LC032 - $5.50
LC030 - $8 |
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LC065-RL - $11 |
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LC037 - $8.50 |
LFV019 - $15 |
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Rounds |
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LFV029 - $1.25 |
9mm Multi Colored
Silver Foil
EGB002 - $1.35* |
EGB004 - $1.75* |
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8mm
LFV001 - -$1.50 |
Small V51 -
$1.75
Large V53 -
$2.50 |
10mm Round
V02 - $3.25 |
LC058 - $5.50 |
V19 - $3.50 |
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V02 - $3.25 |
10mm
V29 - $2.50 |
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LC077 - $6.50 |
12mm
LFV001 - $4 |
V42 - $5.50 |
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13mm Rounds
V09 - $4.50 |
14mm
V23 - $4 |
14mm Round
v68 - $4.50 |
12mm
V09 - $4.50 |
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Rounds
LC023-R - $9 |
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EGB019 - $6.50 |
15mm Rounds
LC033 - $3.75 |
15mm Reticells
V57 - $6 |
15mm Rounds
LC032 - $5.50 |
16mm Round
V32 - $4.50 |
16mm Round
V76 - $7.50 |
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Small - DOI014 -
$1
Large - V52 - $3 |
16mm
V63 - $7 |
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LC0?? - $8.50 |
28mm Round
6998 - $24 |
$18.50 |
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Tear Drops |
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30mm Flat Drop
5713 - $12 |
32mm flat tear drops
LC029 $8.50 ea
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20mm Crackle
Tear Drops
CZ255 - $5.25 ea
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DOI11 - $3 |
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Reversible Heart Pendant
Left - $32.50 |
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Square Murrines
Left - $12
LC080 - red
LC080 - white
LC080 - black |
Rectangle Murrines
Above - $14.50
LC081 - red
LC081 - white |
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Star Fish |
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Small Star Fish Necklace
black/silver
$25 |
Star Fish Necklace
teal/gold/red
$42.95
70mm |
Star Fish Necklace
red/gold/lime
$37.50
55mm |
Star Fish Necklace
blue/silver
$37.50
55mm |
Star Fish Necklace
red/teal/gold
$37.50
55mm |
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Chevron Noodles
- 50
x10mm
7012 - $25 each
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Chevron Slice Necklace
blue/white/orange
Left - $24.50 |
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Chevron Slice Necklace
white/browns
Right - $24.50 |
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38 X 65mm
3890 - $37.50 |
Venetian Pendant
7040-sq - $16 |
Venetian Pendant
7040-rnd - $16 |
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Pill Boxes - 7024 - $17.50
Rectangle - 20 X
25 X 30mm
Round - 30mm
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Venetian
Pendants
7992 - $32.50 |
40 x 76mm Leaf
1030 - $20 |
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Where and How
are Venetian Glass Beads Made
Like the city of Venice, Murano comprises a cluster
of small islands, connected by bridges. It has been the center
of the glassmaking industry since 1291 when the furnaces and glass
craftsmen were moved here from the city. This move was
prompted by the risk of fire and the disagreeable effects of
smoke from the furnaces. The buildings and homes of the period
constructed almost entirely of wood.
The island of Murano is about a mile across the water
from Venice and, in Roman times, was already inhabited.
Amurianum was its original name. Used at first as
shelter by refugees escaping from barbaric invasions of Altino,
Opitergio and Aquileia in the 5th Century, Murano soon became a
fulcrum of important traffics and distinguished itself the glass
art.
Men and women from Oderzo later joined these settlers
and by the 7th and 8th centuries, the island’s port of Sant’Erasmo
was an important calling-place for merchant ships. Eventually,
Murano grew in population and prosperity reaching its greatest
splendor in the 16th century. During this time, many palaces
and houses, churches and monasteries, gardens and orchards sat side
by side with glass factories demonstrating the prosperity of this
wealthy community. So densely was the island populated that by
the 11th century, the Doges were encouraging islanders to
move to Venice.
After the 13th century Murano passed under the
jurisdiction of a podesta, a mayor, chosen from the ranks of
the Venetian patricians but continued to have its own Grand
Council. It had a Golden Book, in which were
entered the names of its original families, all of whom enjoyed
special privileges allowing a Veneto aristocrat to marry the
daughter of a glass master without losing any of his claims to his
noble titles.
Just as in Venice, Murano too could coin annually.
From the mid-14th century onwards, the artisans of Murano sold their
products abroad. They quickly gained a reputation for
producing small glass beads and for mirrors which became a major
Murano export during the course of the 15th century. Within
fifty years the island’s glasswork had lost much of it utilitarian
character and had become a fully fledged art form.
Because of the growing importance of the glass
industry, its artisans had to submit to severe political
restrictions in order to balance their very considerable privileges.
By contrast with the rest of Europe, Venice did not require a man to
belong to a glassmaking family as a condition for learning the art.
Any talented apprentice could rise, step by step, through the ranks
to become a master glassmaker. However, the glassmakers were
forbidden to emigrate from Venice on pain of confiscation of all
their worldly goods. Nevertheless it is known that in
the 16th century, several glassmakers did succeed in setting up
factories in Northern Europe where they also flourished.
Independent until 1924, Murano boasts a coat-of-arms
which is a cock with a snake in its beak and a fox on its back,
symbolizing surveillance, shrewdness and prudence. Murano is
currently home to approximately 6,000 Muranese residents. |
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The
Art of Glass Making |
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The craft of the glass master has something
miraculous about it. Using a simple iron rod, the master takes
a blob in incandescent glass paste from the pan which lies in the
burning furnace. The preparation of the glass is slow and the
process changes according to the type of desired glass. For a
common glass the fusion must reach 1400/1600 degrees Celsius.
For crystals, instead of using calcium carbonate, potassium
carbonate is used. Lead, aluminum, zinc, barium, and carbon
dioxide are added to increase stiffness and to help avoid having the
glass becomes fragile with time.
The glass master has no model before him; only his
skill and his imagination to help him. He puts the long tube to his
mouth and with the energy of his lungs, the shimmering glass blob
swells, curves, dilates and takes on the shape he desires. A
spatula, pinchers, and a pair of scissors, are some of the
instruments that he uses to squash, flatten, cut, pull, curve, and
twist. Having patiently put the glass through a great many and
variety of operations, the work of art comes out perfect from the
hands of the master and is placed together with all the other works
of the day in a long cooling gallery called the ara before it
can leave the factory.
The oldest and most authentic specimens of Murano
glass which have come down to us date from the middle of the 15th
century. They consist of cups and glasses with large surfaces
of glass in strong colors of ruby red, cobalt blue and emerald
green. Each was painted by the master with profane scenes,
erotic incidents, portraits of married couples in gazes and the
like. The real glory of blown, transparent glass, the Venetian
crystal came between the end of the 15th century and the
beginning of the 16th century. The most beautiful blown glass
of all was produced by the Murano factories in this period and is to
be seen in public and private Italian and foreign collections as
well as in the the paintings of Titian, Veronese and Bonifazio de’
Pitati.
The old traditional family names of the Murano glass
blowers, each with its own busy furnace revived, are as follows:
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